his fingers are harp strings,
tall blades of grass, cowering with a breeze,
a howl escaping them.
the notes with the wind curve across dunes,
mountainous joints curl with each pull,
sand escapes through protective eyelashes,
spreading its wings, gritty feathers,
enveloping a woman,
wearing time on her face like a veil,
she imagines the rugged strings
vibrating against her satin fingers
are the throats of songbirds,
cut from their beaks.
her tears and soft sobs write songs for the harp
he left near a window from which she
saw him smile to her for the last time.
The second stanza is just as curiously interesting and original. It also brings out the narrative more, and reveals more about what you're talking about. You bring out understanding more and more as the poem goes on. With the first stanza, I knew next to nothing, but by the end I understand a complete story. Well-done.
The only constructive comment I want to make is there's a bit of a grammatical anomaly with the "are" in the third line of the poem... it doesn't quite make sense.
As far as that last stanza is concerned, if you ever are thinking of revising any of this poem, LEAVE THAT LAST STANZA ALONE!!! It is
Haha, can't say editing's my favorite thing either. XD